DEUTSCHES ORCHESTER FORUM   DIE UNIVERSALE STIMME DER AKADEMISCHEN WISSENSCHAFT IN DER MUSIKAUFFÜHRUNG
ARCHIVE – MEDICINE

Home

Introduktion zur Universität der Zukunft

Projekte

Peter Hübner’s Cosmic Educational Program

Peter Hübner
Developer of the
University of the Future

ARCHIV

MEDICINE

Nature’s Laws of Harmony in the Microcosm of Music

Chronobiology

The Ear as a Medical Instrument

The Special Status of the Ear in the Organism

Music as a Harmonic Medical Data Carrier

Music and Brain

The Significance of the Soul to Medicine

The Significance of the Soul in Human Evolution

The Significance of Our Consciousness to Medicine

The Future of Pharmaceutics

The American Institute of Stress

World Health Organization (WHO)

Republic of Belarus

Stress - The Epidemic of Modern Society

The Unborn Child

Baby Care Unit

Harmonic Therapy

The Benefits of
Harmonic Information

The Social-Medical Significance of Medical Resonance Therapy Music

Headache Migraine

Modern Medication

Intensive Care Unit

How does the Medical Resonance Therapy Music function

Chernobyl









Peter Hübner – The Significance of the Soul to Medicine


When I write a new symphony, at the same time taking into account and applying the harmony laws of the microcosm of music, I might use 100,000 tones and sounds during recording.
But if I mix in only one single wrong tone, every child and every simple person can say at once: this is a wrong tone, and this is the only wrong tone in the whole piece of work with 100,000 different tones and sounds: “That one tone is wrong, and everything else is correct!”

How does a human being come to know this? We know this, because it is built into our system – because we have the ability from birth to hear something like this.
And as this is already nature’s design, every human being should be able to hear their own harmony and/or disharmony within themselves – but also the harmony and/or disharmony of another person.

We should learn to authentically establish the level of harmony in ourselves as well as others by simple, natural inner hearing.
And I think, this is a good foundation for improving our health – but at least also for knowing something about health.

And then there is still the most important thing: nobody usually experiences directly, what “health” is.

One person says: “I am not well for this reason.” the other person says: “I am not well for that reason.” A third person: “This hurts me!”
But who actually experiences “not hurting” as such? Who experiences health in itself?

It is absolutely possible to practise hearing and/or experiencing it via the inner ear or: hearing, because: health is pure harmony: natural harmony.
When we hear pure harmony in our inner self, then we hear health – and I am the archetypal classical composer, and therefore know what I am talking about.
For, before writing anything down, I hear it inside – and I am not an exception, because this is the tradition of classical composing: you hear inner harmony, and then write it down.

So in this case one is a writer, and not a creator. The classical composers of the past have never claimed to be the creators of “their work” – this also applies to myself. I am not the creator, I am only the writer – I write down, what I hear inside.

And who is the one who “is creating”? It may be – nature. But whoever is creating – I only write it down. I have commented on this sufficiently elsewhere, adequately quoting classical composers from history.

So when I now hear harmony, I conclude that my system – i.e. also my inner life – is running accordingly, in harmony. And when I hear disharmony, I conclude that my condition and/or my inner life is accordingly in disharmony.

Thus, when I learn to assess and analyse these experiences regarding a special educational program in music or a special music program in education, I can finally differentiate between this and another disease through my inner hearing.
And in future, this possibility should stimulate the entire field of medicine.